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ceramic sculptures on timber palettes in gallery space with windows. Vipoo Srivilasa
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Exhibition review: re/JOY, Vipoo Srivilasa, Australian Design Centre

Vipoo Srivilasa reclaims memory-laden objects in a genuine body of ceramic works that celebrate the individual and community.

A wedding scene, with rows of chairs and heavy linenware.
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Performance review: ZaffƩ, Arts House

A joyous wedding party in the face of real life.

A white tent in a field surrounded by festivalgoers at Queenscliffe Music Festival.
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Music review: Queenscliff Music Festival

Queenscliff Music Festival brought fresh and established talent to the picturesque Victorian coastal town.

Two panels: on the left a woman with medium length dark hair resting her chin on her hand. On the right is a dark book cover with a illustration showing a woman seated on a beach t night seen from behind and looking out to sea.
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Book review: The Mother Must Die, Koraly Dimitriadis

A collection of short stories tracking intergenerational families, motherhood and the migrant experience.

Two panels. On the left is poet Jazz Money. She has blonde hair and is wearing a yellow top. On the right is the cover of her book 'mark the dawn' which is yellow and covered in random markings.
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Book review: mark the dawn, Jazz Money

Jazz Money's second poetry collection is a lyrical and fierce reckoning of contemporary life.

Two panels. On the left is Tim Minchin, who is wearing a dark suit. He has long brown hair and a short beard. On the right is the cover of his book, 'You Don't Have to Have a Dream' which shows an illustration of a person holding up a yellow balloon.
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Book review: You donā€™t have to have a dream, Tim Minchin

Three speeches made by Tim Minchin when he received honorary university degrees are collected and published as a book.

Colourful artwork with different patterns from Yuriyal Bridgeman depicted in panels upright and on the floor.
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Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum

This survey investigates the significant mark Yuriyal Bridgeman has made on Australiaā€™s post-colonial arts landscape.

Two panels. The left is of author Helen Garner, an elderly woman with short grey hair wearing a black top with her arm crossed. On the right is the cover of her book 'The Season.' It features a group of young boys on a footy field tackling each other.
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Book review: The Season, Helen Garner

Over a single footy season, Helen Garner explores the travails of the game, as well as offering an overarching look…

Anyma, a man in black with his back to us facing some silver metallic music decks.
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Music review: Anymaā€™s Genesys, Flemington Racecourse, ALWAYS LIVE Festival

Anymaā€™s Genesys was an electronica-induced endorphin rush.

Duplicate images of musician Chet Faker in shades of brown. He is holding a microphone stand.
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Music review: Live At The Gardens with Chet Faker, ALWAYS LIVE Festival

Live At The Gardens with Chet Faker teased what itā€™s like to be in Melbourne for a summer of music,…

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